How Yahoo Killed Flickr and Lost the Internet

Web startups are made out of two things: people and code. The people make the code, and the code makes the people rich. Code is like a poem; it has to follow certain structural requirements, and yet out of that structure can come art. But cod

e is art that does something. It is the assembly of something brand new from nothing but an idea.

This is the story of a wonderful idea. Something that had never been done before, a moment of change that shaped the Internet we know today. This is the story of Flickr. And how Yahoo bought it and murdered it and screwed itself out of relevance along the way.

Do you remember Flickr’s tag line? It reads “almost certainly the best online photo management and sharing application in the world.” It was an epic humble brag, a momentously tongue in cheek understatement.

Because until three years ago, of course Flickr was the best photo sharing service in the world. Nothing else could touch it. If you cared about digital photography, or wanted to share photos with friends, you were on Flickr.

Yet today, that tagline simply sounds like delusional posturing. The photo service that was once poised to take on the the world has now become an afterthought. Want to share photos on the Web? That’s what Facebook is for. Want to look at the pictures your friends are snapping on the go? Fire up Instagram.

Even the notion of Flickr as an archive—as the place where you store all your photos as a backup—is becoming increasingly quaint as Dropbox, Microsoft, Google, Box.net, Amazon, Apple, and a host of others scramble to serve online gigs to our hungry desktops.

The site that once had the best social tools, the most vibrant userbase, and toppest-notch storage is rapidly passing into the irrelevance of abandonment. Its once bustling community now feels like an exurban neighborhood rocked by a housing crisis. Yards gone to seed. Rusting bikes in the front yard. Tattered flags. At address, after address, after address, no one is home.

It is a case study of what can go wrong when a nimble, innovative startup gets gobbled up by a behemoth that doesn’t share its values. What happened to Flickr? The same thing that happened to so many other nimble, innovative startups who sold out for dollars and bandwidth: Yahoo.

Here’s how it all went bad.
In the Beginning

Flickr famously began as a feature of another product. Husband-and-wife development team Stewart Butterfield and Caterina Fake had created a photo sharing feature for another product they were working on, Game Neverending. Butterfield and Fake were old-school Web types. The kind with low Metafilter user numbers and WELL accounts.

And because they knew the Web so fluently, they soon realized that their real product wasn’t the game: It was this secondary feature, the ability to share photos online. This was 2003, and photo sharing was still very much a novel problem for people. Flickr was born.

It was a hit. Bloggers especially loved it, as it solved an age-old photo hosting problem. (This was during the hoary old days of the Web when storage actually cost money.)

Two years later, in 2005, Butterfield and Fake sold their company to Yahoo, whose deep pockets promised great things for Flickr’s users. It upped the monthly storage limit to 100MB for free users, and removed it altogether for pro accounts, for example. Yahoo had bandwidth and engineering to burn. Things were going to be great; things are always going to be great the first time you embrace a new corporate mother.
When Startups Become Successes

Very few people manage to build successful startups. But when the one hits, it can change the status quo in an instant. Suddenly, those two elemental ingredients—people and code—become very valuable to the established companies that seem to reside on an untouchable corporate Mount Olympus. It would have to be an overwhelming compliment and sense of validation. How would you handle it? What if you made something beautiful and useful that changed the status quo? Would you sell it? Would you sell yourself?

That’s the choice successful startup founders are faced with. Build something good, and the buyout offers start rolling in. But while selling out in most other fields of creative endeavor is frowned upon, it’s a given on the Web.

Maybe it shouldn’t be. For every YouTube, there are horror stories of great people with great products, squandered in the yawning maws of uncaring corporate integration. Dodgeball gets lost in Mountain View. Beloved bookmarking services like Delicious become fields of information left fallow.

Some upstarts take an independent path. Consider Foursquare. Or Twitter. Or Facebook. Each spurned buyout offers, and none has ever been stronger. All managed to find a business model over time. Or even StumbleUpon, which only found its feet after its founder re-purchased his company from eBay and spun it off again as an indie.

It’s no secret that for many entrepreneurs, the exit is always the goal. It’s about the sellout before the first line of code is written. But for a select group, products are meant to be art. They are meant to literally change the world. And for those, selling out can be especially problematic.

Flickr falls into that camp.
Integration Is The Enemy of Innovation

“Yahoo was a good fit initially,” says Flickr co-founder Caterina Fake, who left the company in 2008. “We had offers from various companies, including Google, and I honestly think that Yahoo was a great steward. It was a great steward of the brand. It was allowed to flourish. In the subsequent two years after the acquisition, Flickr blossomed.”

Yet even early on, there were signs that the transplant—which had seemed so successful at first—was going to fail. That the DNA didn’t match. This was largely due to how this new appendage was grafted on by Yahoo’s CorpDev department.

When a new startup comes into an established company, the first wall it typically hits is CorpDev, or corporate development: the group within a business that manages change. CorpDev is usually charged with planning corporate strategy—where a business will grow or shrink, the markets it will enter or exit, and what kind of contracts and deals it may strike with other companies. It often oversees acquisitions. It plans them. Approves them. And then it sets the terms.

When a big company gobbles up a smaller one, often only a fraction of the money is handed over up front. The rest comes later, based on the acquisition hitting a series of deliverables down the road. It’s similar to how incentives are built into the contracts of professional athletes, except with engineering benchmarks instead of home runs.

Corpdev sets these milestones. They reflect the reason for the acquisition, and how the company—in Flickr’s case, Yahoo—can leverage them. They’re baked into the deal, and an acquisition integration team begins working immediately to make sure they are met. Typically, they’re very engineering-based, designed to integrate the smaller company’s product into the enormous corporate machine.

And because payment schedules are based on achieving those CorpDev terms, it means both companies have a vested (pun intended) interest in putting those milestones ahead of new features. They are a sledgehammer applied with great force to the feet of nimble development. Worse, they often completely ignore what made the smaller target valuable in the first place.

Take Upcoming, the calendaring site Yahoo bought not long after Flickr. It was a play to get local listings. Local data—especially in smaller cities or for smaller events—can be very hard to come by. Everyone ends up having the same stuff. But Upcoming’s data was user-generated. It was different. Unique. Valuable.

The milestones for that acquisition were all based around integrating that local event data into Yahoo. Yahoo didn’t care about Upcoming’s users—the community that created the data. Yahoo’s approach turned out to be completely backwards. The value of the the company was determined by the index itself, rather than how the index was built—which is to say, by the community.

It was a stunning failure in vision, and more or less the same thing happened at Flickr. All Yahoo cared about was the database its users had built and tagged. It didn’t care about the community that had created it or (more importantly) continuing to grow that community by introducing new features.

“We spent a lot of time in meetings with CorpDev just defending the product and justifying our decisions,” said a former Flickr team member.

And so when Flickr hit the ground at Yahoo it was crushed with engineering and service requirements it had to meet as per demands of the acquisition integration team. Those were a drain on resources, human and financial. Even though many of the resources came from Yahoo, they were debited against Flickr. This created an untenable cycle that actively hampered innovation.

“The money goes to the cash cows, not the cash calf,” explains one former Flickr team member. If Flickr couldn’t make bucks, it wouldn’t get bucks (or talent, or resources).

Because Flickr wasn’t as profitable as some of the other bigger properties, like Yahoo Mail or Yahoo Sports, it wasn’t given the resources that were dedicated to other products. That meant it had to spend its resources on integration, rather than innovation. Which made it harder to attract new users, which meant it couldn’t make as much money, which meant (full circle) it didn’t get more resources. And so it goes.

As a result of being resource-starved, Flickr quit planting the anchors it needed to climb ever higher. It missed the boat on local, on real time, on mobile, and even ultimately on social—the field it pioneered. And so, it never became the Flickr of video; YouTube snagged that ring. It never became the Flickr of people, which was of course Facebook. It remained the Flickr of photos. At least, until Instagram came along.

The Flickr team was forced to focus on integration, not innovation. This played out in two key areas.
Socially Awkward

Flickr’s best feature isn’t what you think. It’s not photo-sharing at all. Just as photo sharing was a feature hidden within a game, there was another feature hidden within photo-sharing that was even more powerful: social networking. Flickr was, nearly a decade ago, building what would become the Social Web.

The first point in Flickr’s two point mission statement is to help people make their photos available to the people who matter to them. Flickr had—and still has—excellent tools for this. Flickr was an early site that let you identify relationships with fine grained controls—a person could be marked as family but not a friend, for example—instead of a binary friend/not friend relationship. You can mark your photos “private” and allow no one else to see them at all, or identify just one or two trusted friends who may view them. Or you can just share with friends, or family. Those granular controls encouraged sharing, and commenting, and interaction. What we are describing here, of course, is social networking.

It’s hard to remember, but back in 2005, Yahoo seemed like it had its game on. After losing out on search dominance to Google, it snapped up a bunch of small-but-cool socially oriented companies like Flickr (social photos), Delicious (social bookmarking), and Upcoming (social calendaring). There was a real sense that Yahoo was doing the right thing. It was, to some extent, out in front of what would come to be widely known as Web 2.0: the participatory Internet.

But Yahoo’s social success in those years was almost accidental. It wasn’t (and isn’t) a company with vision. Its founders Jerry Yang and David Filo’s great contribution to the Internet? They built a directory of links and then sold ads on those pages.

It was a gateway, nothing more. This was hardly an innovative idea, or technically complicated to pull off. You don’t have to write algorithms to build a portal. Yahoo was little more than an electronic edition of Yellow Pages.

The founders’ influence on a company’s culture is enormous, and Yang and Filo cared about business, not products or innovation. They didn’t foster a culture of computer scientists, like Google’s founders did, or cultivate hackers like Facebook. They grew a business culture. For many years that worked quite well—until Google came along. Suddenly nobody needed directories anymore. Why browse a hierarchy when you can jump directly to what you’re looking for with a simple query?

Yahoo’s CEO Terry Semel had failed to buy Google in 2001, when he had the chance. Now Yahoo was so focused on winning search that it essentially surrendered social. In 2005, Flickr had far and away the best social connection and discovery tools on the Internet. Remember, back then Facebook was still very much a fledgling service, one that didn’t even let you upload pictures other than the one in your profile. Yahoo, meanwhile, had existing internal social products, like Address Book and Messenger. Social was clearly the future. What Yahoo wanted, however, wasn’t the future. It was to re-fight an old battle from the past. It was to beat Google.

“By the time we were looking at Flickr, Yahoo was getting the shit kicked out of it by Google. The race was on to find other areas of search where we could build a commanding lead,” says one high ranking Yahoo executive familiar with the deal.

Flickr offered a way to do that. Because Flickr photos were tagged and labeled and categorized so efficiently by users, they were highly searchable.

“That is the reason we bought Flickr—not the community. We didn’t give a shit about that. The theory behind buying Flickr was not to increase social connections, it was to monetize the image index. It was totally not about social communities or social networking. It was certainly nothing to do with the users.”

And that was the problem. At the time, the Web was rapidly becoming more social, and Flickr was at the forefront of that movement. It was all about groups and comments and identifying people as contacts, friends or family. To Yahoo, it was just a fucking database.

The first community problems became evident when Yahoo decided all existing Flickr users would need a Yahoo account to log in. That switchover occurred in 2007, and was part of the CorpDev integration process to establish a single sign on. Flickr set it to go live on the Ides of March.

From Yahoo’s perspective, there was no choice but to revamp the login. For one, Flickr had grown internationally, and it had to localize to comply with local laws. Yahoo already had tools to solve this, because it had already expanded into other countries. It offered a ready-made solution.

But moreover, Yahoo needed to leverage this thing that it had just bought. Yahoo wanted to make sure that every one of its registered users could instantly use Flickr without having to register for it separately. It wanted Flickr to work seamlessly with Yahoo Mail. It wanted its services to sing together in harmony, rather than in cacophonous isolation. The first step in that is to create a unified login. That’s great for Yahoo, but it didn’t do anything for Flickr, and it certainly didn’t do anything for Flickr’s (extremely vocal) users.

Yahoo’s RegID solution turned out to be a nightmare for the existing community. You could no longer use your existing Flickr login to get to your photos, you had to use a Yahoo one. If you did not already have a Yahoo account, you had to create one. And you did not even log in on Flickr’s home page, upon arriving, you were immediately kicked over to a Yahoo login screen.

Although Flickr grew tremendously with the huge influx of Yahoo users, the existing community of highly influential early adopters was infuriated. It was an inelegant transition, and seemed to ignore what the community wanted (namely, a way to log in without having to sign up for a Yahoo account). This was the opposite of what people had come to expect from Flickr. It was anti-social.

And it very much delivered a message, to both users and to the team at Flickr: You’re part of Yahoo now.

That message was also going out to Flickr’s team. Flickr prided itself on customer care, which it considered a core part of community building. But Yahoo wanted to manage all that itself with its existing departments. One of Yahoo’s goals was to move from a system of notice and takedown, to prescreening all the content members posted before it went up online. Flickr saw this as both a costly time-consuming task and one that could very well violate its members privacy, especially when talking about private photos. The Flickr team scheduled a meeting and headed down to corporate headquarters in Sunnyvale for an hour long presentation to make its case. Halfway through the meeting, the vice president who oversaw customer care for Yahoo looked at his watch, announced he had another meeting, and left. It was an open fuck you.

For Heather Champ, who was Flickr’s head of community at the time, the meeting was the beginning of the end. “I came out of that meeting knowing I couldn’t continue in my role. I didn’t want to stay and watch them dismantle everything we’d worked so hard to build.”

By mid-2008, a year after the RegID debacle, it was clear to most everyone that Facebook was the big up-and-coming social network. What had been a plaything for college kids and high schoolers was suddenly the network your mom, your dad, your gym coach, and everyone else you’d ever met was sending you friend requests from. Microsoft was pumping money into it, and it was fast approaching 100 million users.

Inside Yahoo, which itself had a massive user base and multiple social products, some were already warning that it was going to be bypassed in social just as it had been bypassed in search.

“I spent years at Yahoo trying to signal the alarm that Facebook was going to take over the adult market unless we stepped in and used our existing social networks to fight back,” laments one former Yahoo engineer who worked on products at both the parent company and Flickr. “Obviously this never went anywhere for a multitude of reasons.”

Yahoo had already tried to buy Facebook in 2006—for a billion goddamn dollars. And failed. Two years later Facebook was too big to buy. The only way to beat it was to come at it from another direction with a better product. Yahoo’s best hope for that was Flickr. But by then it was too late.

“Flickr wasn’t a startup anymore,” explains the engineer, “people didn’t really want to work that hard to turn the entire product around. Even if they had, Flickr [was] very techie hipster, many didn’t use or like Facebook and considered it bland, boring, evil, poorly designed, etc., and were certainly not ready to fast follow it. Emphasis was put more on how things looked, and felt, rather than on metrics and on what worked. The whole experience was very frustrating for me all around, as I slowly watched Flickr and Yahoo fade into irrelevance.”
The Unstoppable Force And His Immobile Object

There’s a difference between a missed opportunity and a complete fuck-up. When Yahoo failed to capitalize on Flickr’s social potential, that was a missed opportunity. But if you want to see where it completely fucked up, where it just butchered Flickr with dull knives and duller wit, turn on your phone and launch the Flickr app. Oh, what’s that, you don’t have one? Exactly.

Flickr had a robust mobile Web site way back in 2006—before the iPhone even shipped. You could use it with your piece of crap Symbian phone, or the dinky screen on your Sony Ericsson T68i. But it was basically just a browser. If you wanted to get a photo from your phone to your account, you had to email it.

And then in 2008, something happened that made the mobile Web a sideshow altogether: apps. The iPhone’s App Store ushered in a new era that changed the way we interacted. People didn’t want mobile web experiences that required them to skip from a camera app, to an editing app, back to the Web and possibly even over to email to upload and share an image. They wanted an app that did all those things. The Flickr team understood that. Unfortunately they couldn’t do anything about it.

“Flickr was not empowered to build its own iOS app—or any other mobile app for that matter,” laments one former Flickr executive. “You had this external team with strong opinions as to what the app should do.”

It was here that the missions of the two companies truly collided, according to insiders. The Flickr app was a top-down decision, driven by Yahoo Mobile and its leader, Marco Boerries. The team at Flickr was iced out.

Boerries had a grandiose vision for something called “Connected Life.” It was to be a socially seamless mobile experience that brought all your Yahoo services together in the palm of your hand, and connected them with the desktop. It was nothing short of what Apple and Google and Microsoft are all trying to do today with their cloud strategies.

Boerries was a maniac. He’d built a word processing program called StarWriter as a 16 year-old kid, grew it into the StarOffice suite and sold it to Sun for $74 million in 1999. By 2004, he was running around Silicon Valley giving a demo that was literally making people gasp in wonder.

He would walk into a room full of investors, pull out his crappy flip phone, and take a picture of the room. Then he’d pocket it, open his laptop and refresh the app running on his desktop. Suddenly, the visitors in the room would be confronted with their own skeptical faces. It was automatic. He then explained that he could do the same thing with any other type of data—emails, phone numbers, mp3s, whatever. Anything you did on the phone would be seamlessly reflected on the desktop, and vice versa. Basically, it was iCloud.

Yahoo bought his company in 2005 for something in the neighborhood of $16 million, largely to buy Boerries. A month later, it would buy Flickr.

Boerries was a genius, and, by all accounts, a nightmare to work with. One of the most frank depictions of this comes from Kellan Elliot-McCrea, Etsy’s CTO who, in a past life, was the chief architect of Flickr.

Posters of Hitler in pink uniform provokes furious debate in Italy

London, May 21 (ANI): Life-size posters of Hitler dressed in a pink outfit and carrying a heart instead of a swastika has provoked a fiery debate in Italy.

The 18ft high posters of the Nazi leader advertise a line of clothing for young people and adorn street corners and bus stops in Palermo, Sicily”s biggest city.

The uniform is coloured pink and the swastika armband has been replaced by a red heart, with a slogan below that says “Change Style – Don”t Follow Your Leader”.

“The use of an image of a person responsible for the worst chapters of the last century is offensive to our country”s constitutional principles and to the sensitivities of citizens,” The Telegraph quoted Rosario Filoramo as saying to the mayor of Palermo.

Filoramo is a city councillor with the centre-Left Democratic Party.

A council official, Fabrizio Ferrandelli, said, “Having Hitler”s face on a poster… cannot be passed off as an innocent advertising message. Seeing these posters in front of schools is an embarrassment.”

The ad agency however is defensive, accusing the locals and critics of overreacting.

“We have ridiculed Hitler in a way that invites young people to create their own style and not to be influenced by their peers,” said the agency”s Daniele Manno.

But the tongue in cheek humour will not stop here – the company plans to bring out a new poster campaign in the next few weeks featuring Mao Tse Tung. (ANI)

Ivanka Trump’s accused stalker jokes he’s got his eye on her mom

New York, May 19 (ANI): Businesswoman Ivanka Trump’s accused stalker has revealed that he is over her and that he is now moving on to his next target – her mother Ivana Trump.

Justin Massler, 27, joked about his plan in a rambling, tongue-in-cheek chat outside a Manhattan courthouse on May 18.

“You know who I don’t have an order of protection against? Ivana Trump,” the New York Daily News quoted him as saying.

“Maybe I’ll start stalking her,” he stated.

Massler, who flew in from Reno, Nev., for a five-minute court hearing, insisted he now has zero interest in the 27-year-old daughter of developer Donald Trump.

“Ivanka? That was months ago. I’m not even stalking anymore,” he said before going on to explain his fascination with her.

“She’s just like a princess. I’ve got to marry the most beautiful princess in the land,” he added. (ANI)

Pammie ‘to do cameo in Baywatch movie’

New York, July 09 (ANI): Rumours are abuzz that Pamela Anderson will be doing a cameo in the upcoming big-screen remake of ‘Baywatch.’

The bombshell has also been spotted in swimsuits of late, adding to the buzz that she is preparing for her role.

She also sported nothing but a gold lame number onstage at the Life Ball in Vienna in May, the New York Daily News reports.

The celluloid version of the hit show is expected to be a “tongue-in-cheek” comedy.

The movie is reportedly to be produced by Paramount Pictures. (ANI)

Spider-Man does exist, says comic-book guru

Washington, July 4 (ANI): Spider-Man has found life outside of comic-book pages, says an associate humanities librarian for Texas Tech University Libraries.

In an article published in the International Journal of Comic Art, pop-culture guru Rob Weiner basically says that Spider-Man and his costumed peers have entered mankind’s collective consciousness, filling a shared need for heroes.

“When I started reading graphic novels, I was struck by the fact that stories about Spider-Man or Batman and Superman could have as many plot twists and turns as any story by Shakespeare, Stephen King or Leo Tolstoy,” he said.

“I was struck by how good some of the writing was for these so-called “kiddie” books, and that somehow these archetypical characters like Spider-Man were replacing Odysseus and Zeus as part of modern mythology,” he added.

Spider-Man’s resume includes a number of films, a TV series, magazine appearances, graphic novels, videogames, and action figures.

His fans can often be seen clad in his costume, while doing something as humble as feeding the homeless.

“While some of this (affectation) is categorically tongue-in-cheek and they don’t have ‘super powers,’ these actual-world costumed figures are trying to do good for their fellow citizens, which shows just how pervasive fictional realities can be,” Weiner said. (ANI)

Antonio Federici ad banned for showing nun, priest about to kiss

London, Jul 1 (ANI): An advert for Antonio Federici Gelato Italiano ice cream has been banned after it showed a priest and nun looking as though they were about to kiss.

The ad was banned after the Advertising Standards Authority received 10 complaints about it, and regulators said that the image was thought “likely to cause serious offence”.

The picture, which appeared in Delicious magazine and Sainsbury’s Magazine, showed the priest wearing rosary beads and holding a pot of ice cream above the slogan “Kiss temptation”.

The authority said that the advert breached decency rules.

“We considered that the portrayal of the priest and nun in a sexualised manner and the implication that they were considering whether or not to give in to temptation, was likely to cause serious offence to some readers,” Times Online quoted the ruling as stating.

Antonio Federici said that it was a “tongue-in-cheek portrayal celebrating forbidden Italian temptations”.

He added that it was significant that the image did not show the nun and priest touching, or kissing and the reader was therefore left pondering their dilemma – would they or would they not succumb to temptation and kiss?

They considered the complaints were therefore concerned with the implication of the ad, not the ad itself, and pointed out that each individual’s reaction to it would be shaped by their own values and experiences. (ANI)

Barmy Army ups the Ashes ante against Punter and his boys

London, June 29 (ANI): England’s Barmy Army has upped the ante by releasing a tongue-in-cheek tune, bashing Aussie captain Ricky Ponting in time for The Ashes.

The recording titled “Hey Hey Ricky”, brought to you in association with online bookmaker Blue Square, is to be released this week complete with a Benny Hill style video.

The Sun quoted Barmy Army supremo Paul Burnham as saying: “We really want to get behind the boys and have cricket’s first Number 1 hit record.”

“We’ve got loads of fun stuff going on around the record including a hilarious video and a great dance – the Rickyroo – that we hope everyone can join in with,” he added. (ANI)

Charles Dickens, Jane Austen’s classic works being shrunk into tweets

London, May 12 (ANI): Classic literary works by Charles Dickens, JD Sallinger and Jane Austen are now being shortened into 140-character “tweets”, as part of the latest diversion of the popular Twitter website.

Bookish readers of the micro-blogging site are now boiling down such great works into a single sentence, and what is coming out is a whole new trend of 140 word synopses of some of the most classic novels.lthough the brevity of the summaries could appeal to modern readers more, the trend of using Internet slang might just offend literary purists.

An example of the phenomenon could be given by how Samuel Beckett’s bleak play Waiting for Godot is reduced to: “Vladimir and Estragon stand next to tree and wait for Godot. Their status is not updated.”

The fuss surrounding the publication of DH Lawrence’s novel Lady Chatterley’s Lover in 1960 is summed up with the web acronym for websites that are not suitable for work: “Upper-class woman gets it on with gamekeeper.”

Tim Collins, a writer who has collected some of his own summaries in a new book, said that though the compositions were meant to be tongue-in-cheek, the platform would open up new possibilities for art and education.

“It’s very easy to knock Twitter as something you use to tell the world what you ordered in Starbucks this morning, but it’s more than that,” the Telegraph quoted him as saying.

He added: “What it is really good for is live-blogging events as they take place, and that can work for historical events too. Over Easter a church in the US re-created the death and Resurrection of Christ through tweets”.

‘The Little Book of Twitter’ authored by Collins is published this week. (ANI)

Coke pulls TV ad where women are seen as sexual toys for men

Melbourne, May 4 (ANI): Global soft drink giant Coca Cola has been forced to withdraw a television advertisement that suggests women should be available for sex whenever men want it.

According to a Herald Sun report, the Advertising Standards Bureau found the advertisement inappropriate, especially when children were watching television.

It was the second embarrassment in a month for Coke after it had to correct health claims in print ads featuring actor Kerry Armstrong.

The latest controversy erupted over a Coke Zero ad, titled “Break up as it should be”.

In the ad, a “hero” man who is breaking up with his girlfriend at a roadside cafe is suddenly surrounded by pole dancers.

His dumped girlfriend acknowledges the man doesn’t want to be with just one woman, then offers: “Just call me when you want to have fun.”

A series of complaints to the advertising watchdog argued the ad degraded women and promoted casual sex for men.

But Coke said the production, aimed at young men, was “an exaggerated look at a very common fantasy” and designed to be light-hearted and tongue-in-cheek.

“We certainly did not mean to cause offence,” Coke said in a statement to the bureau.

Coca-Cola spokesman Kelly Brooks said the company had taken complaints from the community very seriously and withdrawn the ad several weeks ago. (ANI)

About shoe showers and more in Pakistani newspaper

slamabad, April 9 (IANS) A phenomenon ‘typically requiring the presence of one of more political personages and a crowd of media persons’ is likely to often recur, a tongue in cheek editorial in a Pakistani daily said Thursday, referring to a shoe being tossed at Indian Home Minister P. Chiddambaram by a Sikh journalist in New Delhi.

The combination of politicians and journalists ‘produces a kind of flux from which is expelled an example of the common shoe. The shoe appears to be inexplicably drawn towards the political personage and invariably misses’, The News said.

The editorial was quite appropriately headlined ‘Shoe showers’.

‘Scientists believe that politicians exude a catalytic vapour, a concentration of which builds up in the room where they are ensconced with the media people resulting in the fluxion referred to and the spontaneous fall of shoes.

‘Given the frequency with which the elements (politicians and the press) which produce this effect occur, it is not unreasonable to assume that we will see showers of shoes more frequently in the future.

‘Sales of shoe-proof vests are expected to rise, likewise the sale of socks; as journalists may find that a prerequisite of attendance at any future press conference is the removal of their shoes,’ the editorial maintained.

Jarnail Singh, a reporter with the Dainik Jagran newspaper, Tuesday tossed a sports shoe at Chidambaram during a briefing at the Congress party headquarters because he was dissatisfied with the minister’s reply to a question on the punishment being handed to the perpetrators of the anti-Sikh riots that followed the Oct 31, 1984 assassination of then prime minister Indira Gandhi.

Singh later apologised, saying the manner of protest was wrong but the cause was right.

The Delhi Police didn’t press charges against the journalist after the minister ‘forgave’ him.

Simon Cowell was joking about having his dead body frozen, says rep

New Delhi, Feb 25 (ANI): Simon Cowell’s recent remarks about planning to have his body frozen after he dies were purely tongue-in-cheek, says his spokeswoman.

Cowell said that he wants to have his body frozen so that one day technology could bring him back to life, reports the China Daily.

The cryogenics comment was trumpeted in a number of news reports as a serious plan by Cowell, a music industry executive and TV producer.

However, his rep, Lisa Dallos, said that the ‘American Idol’ judge was just joking when he made the remark at a dinner in London two weeks ago with Gordon Brown and other guests. (ANI)

Simon Cowell was joking about having his dead body frozen, says rep

New Delhi, Feb 25 (ANI): Simon Cowell’s recent remarks about planning to have his body frozen after he dies were purely tongue-in-cheek, says his spokeswoman.

Cowell said that he wants to have his body frozen so that one day technology could bring him back to life, reports the China Daily.

The cryogenics comment was trumpeted in a number of news reports as a serious plan by Cowell, a music industry executive and TV producer.

However, his rep, Lisa Dallos, said that the ‘American Idol’ judge was just joking when he made the remark at a dinner in London two weeks ago with Gordon Brown and other guests. (ANI)

Warne not interested in coaching England

London, Jan 9 (ANI): Legendary spinner Shane Warne has said that he is not interested in coaching England at present because he has given up following a team around the world.

He claims that the offer from Kevin Pietersen to replace Peter Moores as England head coach was ‘not taken seriously’ by him.

Writing in The Times today, Warne reveals that he did receive a tongue-in-cheek approach from Pietersen via text message, but turned it down.

Warne, who would require a salary way beyond the 250,000 pounds earned by Moores, distanced himself from the England job.

“I could not give a full-time position the time to do it properly. Following a team around the world is what I have given up. If I was happy to do that, I would still be playing,” Warne writes.

However, Warne adds that “if an offer comes that sounds too good to be true, I would have to stop and think.”

The Sydney Morning Herald reported that Pietersen, who played under the former Australia leg spinner”s captaincy at Hampshire, wanted to reassemble the successful trio of Warne, Darren Berry and Jeremy Snape, who supervised the charge of the unfancied Rajasthan Royals to the Indian Premier League title last May.

However, the managing director of England cricket Hugh Morris said that Pietersen did not mention Warne”s name in any discussions held during the breakdown of the former captain”s relationship with Moores. (ANI)

Warne did not take Pietersen’s offer to be England coach seriously

London, Jan 9 (ANI): The offer from Kevin Pietersen to replace Peter Moores as England head coach was ‘not taken seriously’ by legendary spinner Shane Warne.

Writing in The Times today, Warne reveals that he did receive a tongue-in-cheek approach from Pietersen via text message, but turned it down.

Warne, who would require a salary way beyond the 250,000 pounds earned by Moores, distanced himself from the England job.

“I could not give a full-time position the time to do it properly. Following a team around the world is what I have given up. If I was happy to do that, I would still be playing,” Warne writes.

However, Warne adds that “if an offer comes that sounds too good to be true, I would have to stop and think.”

The Sydney Morning Herald reported that Pietersen, who played under the former Australia leg spinner’s captaincy at Hampshire, wanted to reassemble the successful trio of Warne, Darren Berry and Jeremy Snape, who supervised the charge of the unfancied Rajasthan Royals to the Indian Premier League title last May.

However, the managing director of England cricket Hugh Morris said that Pietersen did not mention Warne’s name in any discussions held during the breakdown of the former captain’s relationship with Moores. (ANI)

Daniel Craig jokes he will struggle to portray Noel Gallagher in film

London, January 8 (ANI): James Bond actor Daniel Craig says that it will be a bit hard for him to fulfil Noel Gallagher’s wishes to portray him in a film about the rock band Oasis, for it would require him to tone down his superior axe skills.

The ‘Casino Royale’ star said so while reacting to a question at the premiere of his film Defiance in London.

“I can play the guitar better than Noel can so I don’t know how that is really going to work,” the Sun quoted him as saying in his tongue-in-cheek manner.

It may be significant to note here that Noel had recently said that he considered Craig to be the right person for portraying him in a film about the band.

“I wouldn’t be averse to a film about Oasis. And I would like Daniel to play me,” he said at the time.

“I said to him, ‘If you can swing it for me to get the James Bond theme tune, you can play me if they do an Oasis movie,’” he added.

Noel also touted Julian Clary and Jeremy Kyle as the ideal candidates to play his brother Liam. (ANI)

Gandhi, Jesus, and Lennon now features in Twitter spoof site

London, January 8 (ANI): Mahatma Gandhi, Jesus, and The Beatles”” John Lennon have now featured on a spoof website created by Twitter fans, which compares bloggers’ real-life experiences with the thoughts of such famous historical figures.

The website called Historical Tweets allows its users to post snappy updates on what they are doing in 140 characters.

Gandhi’s thought of non-violence manifested itself in one of the posts that read: “Punched an old lady today. Feel bad.”

As regards Jesus, there was one post that said: “Wine into water didn””t go too well. Must find better miracles.”

Describing Lennon’s relationship with Yoko Ono, who had a strained relationship with the rest of The Beatles, a post said: “Met new girlfriend. Bandmates love her”.

Historical Tweets’ creators said, in their tongue-in-cheek description of the site, that they hoped that it would make the past more palatable to the modern generation, which likes to get any information in bite-sized chunks.

“Books have been ruining history. So many unnecessary words. Now, with Historical Tweets, history””s most amazing men and women can be fully understood, a mere 140 characters at a time,” the Telegraph quoted them as saying. (ANI)