Court details long, strange road to “Easy Rider” sequel

LOS ANGELES (Hollywood Reporter) – Considering the lack of courtroom success that Hollywood studios have had lately, perhaps the best legal strategy is to hide.

Consider Polestar Entertainment, a film production company that has just escaped a $700,000 default judgment for allegedly defrauding a man who invested in a sequel to the 1969 cult fave “Easy Rider.” The company was able to get out of the penalty on the grounds that it didn’t know a trial was going on. A Missouri appeals court has ruled that the court award was a violation of the defendants’ due process rights.

The decision marks the latest strange turn on the road to creating an “Easy Rider” sequel.

The plaintiff in the case was the estate of Al Kerth III, perhaps most infamous in Hollywood for helping relocate the Rams from Los Angeles to St. Louis. In 1999, Kerth invested $125,000 with Polestar, run by Glenn Tobias, for a planned sequel to “Easy Rider.”

Tobias ran into problems and had his assets foreclosed, including rights to the franchise.

Kerth committed suicide in 2002, and in sorting his affairs, lawyers for the estate discovered the agreement. In 2004, the estate filed a lawsuit against Tobias and two of his companies, Polestar and Besdine Management Company, alleging fraud and breach of contract.

Tobias hired a lawyer to represent him, but the counsel withdrew from the case. At the time, Tobias was dealing with other lawsuits in California, Taiwan, Europe and the Bahamas and decided to give priority to those other lawsuits. He didn’t hire a replacement to his Missouri counsel.

Meanwhile, the plaintiff moved to have the case put on the trial docket, and a judge set trial for July 9, 2007. The plaintiff, though, never mailed notice of the trial setting to the defendants. At the trial, the Kerth estate presented its evidence, and the trial court entered a judgment of $188,000 in compensatory damages, $135,360 in pre-judgment interest, and $376,000 in punitive damages.

According to the decision by the Missouri appeals court, reviewing the lower court’s awarded judgment, a year and a half passed before Tobias learned from his attorney in California that a collection proceeding had initiated. He then filed a motion to set aside the verdict. And … he won.

So what happened to that sequel to “Easy Rider”?

The man who seized the assets of Tobias sold the rights to a group that included Philip Pitzer, a lawyer from Ohio who wanted to fulfill his life-long dream of making the sequel. It took some doing on his part.

The film was going to be called “Easy Rider: The Search Continues” and was going to include clips from the original film. According to a story three years ago in the New York Times, the plan went haywire when Pitzer found out they didn’t really acquire rights to the old clips. Pitzer sued in Santa Monica Superior Court, claiming fraud and deceit in the sale of the sequel rights.

Kerth/Tobias failed to make the film (and let’s not forget the “Easy Rider: A.D.” attempt either), but Pitzer was finally able to pull it off. It was called “Easy Rider: The Ride Back” and we can hardly blame anyone for missing it.

What Viacom’s loss to YouTube means for Hollywood

LOS ANGELES (Hollywood Reporter) – The Google geeks have beaten Hollywood chic. But how much will Wednesday’s court ruling against Viacom in its $1 billion copyright battle over YouTube tip the balance of power from professional content creators to online distributors?

Entertainment

In ruling on summary judgment that the Google-owned video-sharing site is protected from liability by a safe-harbor provision in copyright law, U.S. District Court Judge Louis Stanton has sent a clear message:

If user-generated video sites implement reasonable takedown procedures, they are shielded from infringement lawsuits based on the content that users upload.

“If a service provider knows of specific instances of infringement, the provider must promptly remove the infringing material,” Stanton wrote in the opinion. “If not, the burden is on the owner to identify the infringement.”

The digital community has heralded the decision as a win for consumers against over-reaching content conglomerates.

“Studios have a tremendous tool in the Digital Millennium Copyright Act (DMCA) that allows them to send a notice and get the relief they desire,” said Kurt Opsahl of the Electronic Frontier Foundation, a digital-rights advocacy group that backed Google in the case. “Whether you are Viacom or a small rights-holder, that tool remains available.”

Several Hollywood studios filed briefs in support of Viacom in the massive litigation, initially filed in New York in 2007. Viacom general counsel Michael Fricklas called the decision a disappointment, and vowed to appeal.

“YouTube and Google stole hundreds of thousands of video clips from artists and content creators, including Viacom, building a substantial business that was sold for billions of dollars,” Fricklas said in a statement. “We believe that should not be allowed by law or common sense.”

Google’s win shouldn’t change the way studios interact with YouTube, which has implemented takedown procedures and a content-filtering system since grabbing the zeitgeist in 2006 thanks in part to viral videos like “Lazy Sunday” from NBC’s “Saturday Night Live” and clips from Viacom’s “The Daily Show.”

Evidence submitted by Viacom in the litigation showed that top YouTube executives knew that infringing content was available on the site and led to spikes in traffic. But YouTube now is among the more responsible players when it comes to online video, striking licensing deals with content owners and responding aggressively to notices of infringement.

Still, the court’s ruling could leave the impression that building a web video service in part on the back of copyrighted content is legal as long as you eventually clean up your act. That likely will be an issue addressed in Viacom’s appeal.

Eric Goldman, director of the High Tech Law Institute at Santa Clara University School of Law, said the impact of the case on Hollywood could be felt if user-generated websites refuse to implement filtering technologies or otherwise go beyond what the DMCA mandates.

“A lot of content owners want service providers to do more than the law requires,” Goldman said. “This opinion rejects those requests.”

To that end, the ruling also could renew Hollywood calls to reform copyright law at its source.

“Congress might decide to get involved here,” Opsahl said. “And I would not be surprised if the new IP czar weighed in on the issue.”

Fricklas, who has spearheaded the costly YouTube litigation, sounded an upbeat note despite the defeat.

“We always knew that the critical underlying issue would need to be addressed by courts at the appellate levels,” he wrote. “Today’s decision accelerates our opportunity to do so.”

Brody”s horror flick sex scene turned off Hollywood

London, June 4 (ANI): Canadian filmmaker Vincenzo Natali took French help to fund his new horror flick Splice after Hollywood studios refused to direct a sex scene between Adrien Brody and a creature his character creates.

Natali, 41, says the idea of watching Brody sleep with a half-woman, half-creature, played by French actress Delphine Chaneac, was a big turn off for American studio bosses.

He said: “That scene was the reason I wanted to make the film and that”s why it”s such a miracle this film exists.

“No studio wanted to make it, because of (the) sexual part of the story. So we had to go to France. And the French, of course, had no problem with it.”

Natali also revealed the reason for casting Chaneac in the movie.

“I felt she had an androgynous quality. I didn”t want to make Dren overtly sexual. I wanted people to fall in love with her rather than in lust. Also, I feel like an androgynous beauty is perhaps a little more evolved. Like David Bowie is maybe more evolved than the rest of us,” the Daily Express quoted him, as telling Entertainment Weekly mag.

He added: “I really think that Dren is an object of desire, but not in the most obvious sense.” (ANI)

Tony Curtis eager to return to limelight at 84

London, May 15 (ANI): American actor Tony Curtis is eager to return to the acting scene to prove he”s healthy and fit.

Curtis who will turn 85 in June (10) is keen to act and has been calling all the producers to give him a part.

“I”m looking for some kind of acting job I can do. I”m in excellent shape and my spirits are high. They”d (movie producers) be getting a miracle!” the Daily Express quoted him as telling the National Enquirer.

He’s willing to set his benchmark in acting despite his advancing years and has also started writing his fourth book.

“It”s a murder mystery that starts out in one of the Hollywood studios. It”s a world I know something about,” he stated. (ANI)

Rachel Uchitel insists she’s a nice normal girl

Washington, March 31(ANI): Rachel Uchitel, the first woman to emerge as Tiger Woods’ alleged mistresses, has said she is just a regular girl.

The hottie was present at Perez Hilton’s 32nd Birthday Party at Hollywood’s Paramount Studios.

“You can”t judge a book by its cover. I”m a nice normal girl that anybody would be friends with…” Fox News quoted her as saying.

Uchitel avoided all questions on her link up with the golfer.

However, she revealed that she has moved into a new house.

She said: “I just moved to Vegas with my dogs. I own an apartment there so I just moved there to have some time in an apartment that I own, and I visit friends and have family there… I am absolutely (enjoying more anonymity now). Put yourself in my shoes.”

Rumours are abuzz that Uchitel accepted a 1-million-dollar payout to keep quiet over Woods’ sex-scandal. (ANI)

Coming soon: a horror story on American Fritzl’s victim?

London, Sept 20 (ANI): Publishers and Hollywood studios have begun a multi-million dollar bidding war for the rights to sex slave Jaycee Dugard’s horrifying life story.

Fresh details of the American Fritzl’s victim have emerged, including that in the early days of her captivity, the terrified schoolgirl was so hungry she ate bugs and worms in the rambling back garden where she was held in tents and lock-up sheds, reports The Daily Express.

She had to use a garden hose to shower outside, even in winters, say detectives guarding her and her two daughters, fathered by kidnapper Phillip Garrido.

However, the public apparently is desperate for the full story of how Jaycee, now 29, survived after being snatched on her way to a school bus stop when she was only 11.

A New York literary agent, who estimates the book and film rights to be worth up to 12million dollars, said: “You couldn’t dream up a script like this. Americans can’t wait to hear the story from the girl who lived it.”

A Hollywood studio producer said: “Everyone is in the market for this story. Poor Jaycee’s life may have been hell for 18 years but she’ll never want for anything for the rest of it.”

Garrido, a registered sex offender, has been linked to six child abductions and murders stretching back years within a 400-mile radius of the ramshackle home in Antioch, California, where Jaycee was held. (ANI)

Keanu Reeves ‘to play Rama in new movie Hanuman’

Nevada (US), Sept 6 (ANI): The Matrix star Keanu Reeves will play Rama in an upcoming movie titled Hanuman, according to reports.

Gary Oldman (Nil by Mouth) will reportedly play Ravana, while Aamir Khan (Lagaan) has supposedly been approached to play lead Hanuman.

Search is still on to find an international face to play Sita in this movie reportedly being directed by Chuck Russell (The Mask) and produced by Uru Patel (Cyborg 2).

Shooting is reportedly expected to start towards the end of this year in Rajasthan (India), while the rest will be made in Hollywood studios.

However, the film reports have let Hindus in a fix.

Acclaimed Hindu statesman Rajan Zed, in a statement in Nevada (USA), said that if makers of proposed movie “Hanuman” intended to base the storyline on epic Ramayana, make references to it, or portray Hindu gods/goddesses in the movie, they would urge the makers to stay true to the story and the spirit of the timeless epic and other Hindu scriptures.

Zed, who is president of Universal Society of Hinduism, further said that Ramayana was a highly revered scripture of Hinduism. Hollywood was welcome to make a movie about Ramayana but the final product should be the true depiction of it and not a fantasized or a re-imagined version to fit the Hollywood machine, which was likely to hurt the Hindu sentiments.

Moreover, as Hinduism was largely misunderstood outside India, the distortion would add to the confusion. Hinduism was the oldest and third largest religion of the world with about one billion adherents and a rich philosophical thought and it should not be taken lightly.

Zed further said that Ramayana was an integral part of Hinduism and was held in such reverence that Hindus believed that simply reading/hearing of it showered blessings upon the reader/listener. Rama, the hero of Ramayana, was incarnation of Lord Vishnu, and was worshipped by Hindus.

Ramayana, an ancient Sanskrit scripture, consists of 24,000 stanzas, explores various themes, including human existence, concept of dharma, etc. (ANI)

Stuntman dies while recreating ‘Indiana Jones’ action scene

London, August 19 (ANI): A Bulgarian stuntman has died while trying to recreate an action scene from the adventure series of “Indiana Jones” at Disney World.

Anislav Varbanov fell while practising a “tumbling roll” and suffered a brain injury during the rehearsal at the attraction in Orlando, Florida.

The 30-year-old athlete had been preparing the routine for the Indiana Jones Epic Stunt Spectacular, a half-hour show that recreates scenes from the hit films, reports the Sun.

The show, performed in the Hollywood Studios section of the park, depicts an Indy lookalike being chased by a boulder, leaping from an exploding aircraft and beating villains.

Police and health and safety officials had stepped in to investigate the incident while performances were cancelled. (ANI)

Now, film adaptation of Slumdog writer’s second book to make millions

London, May 24 (ANI): A British film producer is relishing the chance to adapt ‘Slumdog Millionare’ author Vikas Swarup’s second book into a movie.

Paul Raphael is said to have joined forces with BBC Films and ‘Trainspotting’ screenwriter John Hodge to make a film based on ‘Six Suspects’, a Delhi-set murder mystery.

The rights to make a film on Six Suspects is being seen as a compensation for Raphael because he had also tried to obtain rights to make a film on Slumdog Millionare, but discovered that they had already gone.

He was given an exclusive peek at Swarup’s second novel and optioned it last year, several months before Slumdog was released and became a box office phenomenon.

Hollywood studios anxious to join the project are now said to have swamped Raphael with calls.

“The success of Slumdog has transformed interest in the project,” the Daly Express quoted Raphael as telling from the Cannes Film Festival.

“I’m very lucky to have a property that can benefit from the reality of the way films get made and marketed these days,” he added.

Describing the plot, Raphael said: “I read about a hundred pages and just knew that I wanted to do it. It’s a great whodunnit in a very unusual setting.”

He further said that just like Slumdog, the second book also offered a kaleidoscopic portrait of modern India.

He said that it is about a murdered playboy and the six suspects who all had reason to kill him, including a Bollywood actress, a mobile phone salesman and an illiterate boy.

“It has a lot to say about modern India. All the suspects are from completely different walks of life. It’s very original and has a distinct voice and sense of humour and John Hodge will bring something amazing to it,” said Raphael.

The 10million-pound Six Suspects goes into production next year. (ANI)

Now, film adaptation of Slumdog writer’s second book to make millions

London, May 24 (ANI): A British film producer is relishing the chance to adapt ‘Slumdog Millionare’ author Vikas Swarup’s second book into a movie.

Paul Raphael is said to have joined forces with BBC Films and ‘Trainspotting’ screenwriter John Hodge to make a film based on ‘Six Suspects’, a Delhi-set murder mystery.

The rights to make a film on Six Suspects is being seen as a compensation for Raphael because he had also tried to obtain rights to make a film on Slumdog Millionare, but discovered that they had already gone.

He was given an exclusive peek at Swarup’s second novel and optioned it last year, several months before Slumdog was released and became a box office phenomenon.

Hollywood studios anxious to join the project are now said to have swamped Raphael with calls.

“The success of Slumdog has transformed interest in the project,” the Daly Express quoted Raphael as telling from the Cannes Film Festival.

“I’m very lucky to have a property that can benefit from the reality of the way films get made and marketed these days,” he added.

Describing the plot, Raphael said: “I read about a hundred pages and just knew that I wanted to do it. It’s a great whodunnit in a very unusual setting.”

He further said that just like Slumdog, the second book also offered a kaleidoscopic portrait of modern India.

He said that it is about a murdered playboy and the six suspects who all had reason to kill him, including a Bollywood actress, a mobile phone salesman and an illiterate boy.

“It has a lot to say about modern India. All the suspects are from completely different walks of life. It’s very original and has a distinct voice and sense of humour and John Hodge will bring something amazing to it,” said Raphael.

The 10million-pound Six Suspects goes into production next year. (ANI)

Zac Efron ‘paparazzi-proof’ hideout revealed

Washington, April 24 (ANI): Movie star Zac Efron has found a new way to get rid of paparazzi – he bribes security guards to let him hide in Hollywood studios.

The 21-year-old actor has become among the top targets for Los Angeles’ intrepid tabloid photographers, who stalk his every move.

However, Efron says that he has found the ideal hiding spot – he disappears into an un-named L.A. studio lot whenever he’s being followed.

“I’ve kinda got it figured out. I just pull into the lot, and they can’t follow me,” Contactmusic quoted Efron as telling GQ magazine.

However, the High School Musical star admits that he has to pay off security guards with signed memorabilia whenever he wants to hide.

“The first time I did it, they weren’t going to let me in. The guy at the gate was like, ‘What are you gonna do for me?’ He’s like, ‘I got kids.’ And I was like, ‘Well, I got a poster in the trunk!’ It’s smart to keep some swag in the trunk, just in case,” he added. (ANI)

YouTube signs deal with Hollywood studios to show TV episodes, movies

New York, Apr.17 (ANI): In another step in its transformation from an online jumble of amateur videos to a destination for mainstream TV programs and movies, YouTube said Thursday that it had signed deals with Hollywood studios to showcase thousands of TV episodes and hundreds of movies on its Web site.

Google, which owns YouTube, said it might eventually bring another innovation to the site: payment for some premium content.

According to the New York Times, the agreements with the studios, which include Sony, Lions Gate, MGM and others, are significant because YouTube dominates online video.

Nearly two-thirds of all video views in the United States occur on YouTube, according to the measurement firm Nielsen. Last month the site had more than 90 million visitors, 10 times as many as the next biggest site, comScore said.

But while YouTube, along with other new media properties like MySpace, Facebook and Twitter, is seen as leading the challenge against traditional media companies, the company itself is struggling to profit from its digital popularity.

This month, Credit Suisse published a detailed analysis of YouTube’s business, estimating that the site will lose approximately 470 million dollars in 2009, as the costs of bandwidth and storage to stream more than 5 billion clips a month far exceed the revenue YouTube earns from advertising.

To attract more advertising, YouTube is striving to add more professionally produced video. The pacts with media companies allow YouTube to place ads before, during and alongside the videos and split the revenue with its partners.

YouTube probably won’t be adding videos from NBC or Fox anytime soon. With its new partners, it will feature full episodes of one current CBS show (the drama “Harper’s Island”) and will offer a large library of classic content, including the series “The Addams Family” and the film “Carrie.” While the selections may seem meager, YouTube says it believes the new section will lay a foundation for more content partners. (ANI)

‘Slumdog Millionaire’ puts Bollywood in spotlight for Hollywood filmmakers

Washington, Mar 7 (ANI): With ‘Slumdog Millionaire’ making it big in the United States, there’s whole new focus on films made in India as Hollywood studios are vying to join hands with Bollywood filmmakers.

‘Slumdog Millionaire’, shot in India with Indian actors and musicians, is based on an Indian novel.

The film is said to have opened the doors of Hollywood to an industry that makes more than 1,000 movies annually, with over 3 billion tickets sold.

Recently, Bollywood filmmakers have signed a range of creative and commercial deals with Hollywood production houses, studios and stars.

All deals came as a result of a booming economy over the past five years, which made Indian moviemakers to dream about Hollywood.

And with ‘Slumdog’ winning eight Academy Awards, including Best Picture, there is a feeling that U.S. filmmakers will be interested in India, and that the U.S. will be hungry for Indian films.

“There is a natural synergy between the film industries in India and the U.S. India is a democracy, has a massive movie-going market and an open entertainment policy with no government restriction,” the Washington Post quoted Amit Khanna, chairman of Reliance Big Entertainment, as saying.

He added: “We want to develop a global market for Indian movies, content and talent, and also produce Hollywood films.”

Big Entertainment is the most aggressively expanding entertainment company in India, and has signed a 1.2 billion-dollar, debt-equity deal with Steven Spielberg’s DreamWorks SKG for 36 movies over six years.

“The talent in Hollywood is subsumed by studios. We give them a lot more breathing space,” said Khanna.

Hollywood studios such as Warner Brothers, Walt Disney, Sony and Fox are already co-producing movies in India.

Last month, the international arm of the Motion Picture Association of America set up an office in Mumbai to represent the growing interests of Hollywood studios.

Also, Indian companies are seeing an opportunity in the recent success of small-budget “Indie” films, such as ‘Juno’ and ‘Little Miss Sunshine’.

Currently at 2.2 billion dollars, the Indian film industry is estimated to grow to 3.3 billion dollars by 2013, according to a study by the Federation of Indian Chambers of Commerce and Industry.

“American companies are now looking at making local films for the Indian market.

They want to get into India with local products,” said Gitesh Pandya, editor of the New York-based BoxOfficeGuru.com.

And when it comes to enticing Hollywood, the economic slowdown also seems to be favouring India.

But a Bollywood-Hollywood tie-up is still far fetched, as both Warner Brothers and Walt Disney produced Hindi movies in the past six months, which bombed at the Indian box office.

It was a British filmmaker who directed ‘Slumdog Millionaire’, and thus Uday Shankar, chief executive of Star India, a group of entertainment and news channels owned by Fox asked: “If ‘Slumdog’ was made by an Indian director, would it have made the same splash?”

Still, talks are on with Universal, Warner Brothers and Lions Gate to distribute a 30 million dollar movie that Reliance produced called “Kites,” with Mexican actress Barbara Mori and Indian actor Hritik Roshan, and is shot in the Southwestern United States and directed by Indian filmmaker Anurag Basu.

“It is like a reverse ‘Slumdog Millionaire’. It is a film made by an Indian, shot in the U.S. and released internationally,” said Khanna. (ANI)