UN nuclear conference calls on India to joint NPT, CTBT

Breaking the tradition of not naming countries, the first draft of the final document of 2010 Nuclear-Non Proliferation Treaty Review conference has asked India, Pakistan and Israel to join NPT and CTBT.

“The conference calls upon India, Israel and Pakistan to accede to the treaty as non-nuclear weapon States, promptly and without conditions, thereby accepting an internationally legally binding commitment not to acquire nuclear weapons or other nuclear explosive devices,” the first draft of the document said.

“The conference also calls upon India and Pakistan to maintain moratoriums on nuclear testing and calls upon India, Israel and Pakistan to sign and ratify the Comprehensive Nuclear-Test Ban Treaty (CTBT) without delay and without conditions,” it said.

The NPT Review Conference is held every five years to assess the progress in reaching the goals set out in the 1970 treaty to disarm and stop the spread of nuclear weapons.

This year it started on May 3 and would end on May 28 when the final draft is expected.

India, Pakistan and Israel have not signed the treaty and do not attend. The last conference in 2005 ended in failure.

Speaking on the condition of anonymity, a Western diplomat said here that there were countries, which had accepted that India and Pakistan were not going to become part of the treaty and suggested a new track to reign them into the non-proliferation regime.

“We are going to try and put them in a cooperation system with obligations so that they would have the same obligations that NPT countries without being in the NPT,” he said, noting that such an agreement was better than doing nothing.

Several experts, however, have pointed out that by the time the final document was prepared the names of the countries may be replaced by a more general call for the universal acceptance of the Nuclear Non-Proliferation Treaty.

Officials noted that naming Israel, for instance, would lead to the country not cooperating with the Arab nations on a plan to have a Middle East free nuclear weapons free zone.

“We want something so that all countries come to the table,” the Western diplomat said. “But it’s so fragile, it’s so difficult.”

Mark Hibbs, an expert at the Carnegie Endowment for International Peace, who had attended the meetings noted that there seemed to be a “tacit agreement” not to retain the names by the end of the conference.

Yesterday, US also reiterated that its nuclear cooperation deal with India was a unique situation and did not set a precedent for the future, according to Reaching Critical Will, a project of the Women’s International League for Peace and Freedom, the oldest women’s peace organisation in the world.

While several states continue to criticise the special status given to India through the Civil Nuclear deal as weakening the NPT regime, diplomats here noted that it had not become a major bone of contention.

However, the senior Western diplomat noted that the international community would not accept Pakistan entering into a deal similar to the one the US and India had signed.

“We know exactly what India is doing,” he said, noting that Islamabad would not allow checks on its nuclear facilities even if entered into a similar agreement with China.

“Pakistan does not want to have any inspection of any kind.”

Meanwhile, the five permanent members of the Security Council have come under severe criticism for watering down the disarmament obligations in the document.

“The commitment to disarm are clearly weaker than what they have been till now,” Hibbs said.

The senior Western official also noted that the tussle in the conference was between the permanent members of the Security Council that were united and the Non-Aligned Movement countries that had divided positions on several issues including Iran’s nuclear program.

“The final document will be weak because it will be the only way to have a document,” the Western diplomat said.

‘Fake’ Raphael painting turns out to be £250k treasure!

London, May 8 (ANI): A young woman’s portrait, trashed as a fake and lay in the basement of an Italian palace for 40 years, has been confirmed as a genuine Raphael by art experts and could be worth up to 25 million pounds.

The newly discovered 12 by 16 inch oil painting, which was lying in a storeroom beneath a palazzo in northern Italy since the 1970s, was long thought to have been a copy made in the style of the Renaissance master long after his death.

However, art historians now believe it to be a first draft by Raphael belonging to a larger painting, The Holy Family (or ”The Pearl”), which hangs in Madrid”s Prado museum.

Mario Scalini, an art expert, had a hunch of its worth, mainly because of the quality of its frame.

“It struck me that it was mounted in an enormous, elaborately carved gilded frame of a very high value, which didn”t seem to fit with something that was meant to be an unimportant copy. Clearly, whoever chose the frame knew who the real painter was and the true value of the work,” The Telegraph quoted him as saying.

The expert had the painting analysed by experts at a research institute in Pisa, where Lisa Venerosi Pesciolini, one of Italy”s most respected art restorers, said, “Underneath the layers, it was possible to see the original painting. This is an extremely important find.”

It is thought the portrait was started by Raphael, but finished by one of his most prominent pupils, Giulio Romano, after Raphael”s death in 1520.

Scalini estimated the painting’s worth to be 30 million euros or more. (ANI)

Oscar win brings more eyes to “Eyes”

LOS ANGELES (Hollywood Reporter) – Wonderful as it is to win the Oscar for best foreign-language film, don’t expect it to make your phone ring off the hook.

Film

“If you win every other award in the world from every major festival, it’s not as visible as the Oscar,” observes Argentine writer-director Juan Jose Campanella, whose thriller “The Secret in Their Eyes” won the top prize last month.

But he added, “I don’t know if it makes a huge impact on my career. What the Oscar does is make a lot of producers and directors want to see the movie. Then if they like it, something might happen.”

“Eyes,” opening Friday in New York and Los Angeles via Sony Pictures Classics, got on the awards track last fall after playing at festivals like Toronto and Spain’s San Sebastian.

Its screenplay by Campanella and Eduardo Sacheri is adapted from Sacheri’s book about a retired criminal court investigator writing a novel about a rape-murder case he handled 25 years earlier.

Campanella read Sacheri’s novel after it was published in early 2005. They met during a radio interview where Campanella was talking about a TV series he’d produced and Sacheri was discussing another book. Afterwards over coffee they decided to adapt “Eyes” and worked on its script from early ’06 until pre-production began in August ’08.

“First we had conversations about the broad changes I wanted to make from the novel to the adaptation.”

What they did was structure the first 15 minutes of the movie, working together in the same room.

“Then we would divide the scenes and each of us would work on his own and we would exchange them via e-mail and make comments.”

When they felt they had a good first draft of those scenes, they’d get together again and outline the next 15 or 20 minutes.

Their first draft took about five months, Campanella explained, “Not because we’re very slow writers, but because we had to work on our day jobs in the meantime.”

They showed that draft to a few readers Campanella trusts and two months later they were rewriting.

“I usually do like 15 drafts of a script. The process was shortened because we were starting from a novel so we knew where we were going. It was not a completely blank page.”

One thing Campanella didn’t have to worry about was getting his film financed.

“The good thing about Argentina and the fact that my two previous movies have been very successful is that I had the financing. While we were writing the script we knew it was going to get made.”

However, he points out with a smile, it also had its downside: “The movies are so cheap that you don’t make a living out of it. It’s really for pleasure. But we knew we could get the $2 million or $2.5 million that we needed to make the movie.”

Campanella cast the film with some of Argentina’s best-known actors. Guillermo Francella, who plays the investigator’s alcoholic sidekick, is a popular comic in Argentina. “His comedies are usually very broad. His persona as a comedian is completely different. Audiences looking at this movie couldn’t believe his transformation.”

But Campanella’s not taking credit for turning Francella into a dramatic actor: “I wish I could brag about that. He’s a trained actor. He was in theater doing Shakespearean plays in his early 20s and then one day he got a TV job in an Argentine sitcom and was such a hit that it took him in that direction.”

Ricardo Darin, who plays the investigator, started out as “a telenovela heartthrob. About 15 years ago when he was in his mid-30s he started doing theater.”

Campanella hired Darin for a film at the time, which helped change his career: “After that other directors called him to do more dramatic parts and now he’s like the Laurence Olivier of Argentina.”

Because “Eyes” takes place over three decades Darin and other actors appear younger in some scenes and older in others.

“We shot the past first for five weeks,” Campanella said. They then took a three-day weekend to work on hair and makeup before shooting two weeks of present-day scenes.

“We had to re-color Ricardo’s hair. He’s one of these lucky guys — I’m bald — who has very strong resilient hair and we had to put so much bleach on him that they were almost burning his scalp.”

Darin’s character has a beard in the ’70s scenes, which the actor grew during the month before shooting.

“There’s nothing worse than a fake beard. Even here in America, the only way to make a very good fake beard is when you put it in almost hair by hair. It’s something you can do for one day, but you cannot do it every day.”

Govt. Issues Draft On FDI Policy

Govt. Issues Draft On FDI Policy

Government today released the first draft to consolidate and simplify Foreign Direct Investment Policy.

Releasing the policy in New Delhi, the commerce minister Anand Sharma said that with all the 177 press notes issued, the policy have been consolidated for better understanding of the investors and stake-holders.

He said the first round of consolidation of the draft policy will be over by Jan. 31, 2010 and the final policy after due consultations will be complete by Mar. 31, 2010.

Batman helmer abandons plans to direct movie version of The Prisoner

Washington, Aug 19 (ANI): Filmmaker Christopher Nolan has given up all plans of directing a film based on the cult British TV series The Prisoner.

Nolan was to direct a big budget blockbuster version of the 1968 show starring Patrick McGoohan, and his exit has now kicked of rumours that he plans to start early with his third Batman movie.

The director has, however, left behind The Prisoner in a complete mess. The movie’s producer Barry Mendel has said they might not be able to start on the film before movie executives see the level of success that its new TV version – featuring Ian McKellen and Jim Caviezel – achieves.

Contactmusic quoted Mendel as telling CineFools: “Nolan has dropped out of it but we have a first draft (of the script) by David and Janet Peoples who wrote Twelve Monkeys. It’s a good draft and we’re working on the script right now.

“If the series was wildly popular that might effect us. The screenplay (we’ve got) is such a re-imagination of the series, if you think of The Avengers that wasn’t a commercially successful film but it was very much in the spirit of the original show, this looks and feels so different that the tenants of the show are apparent but the execution of it is so different that I think it is unrecognisable.” (ANI)

Jacqueline O lured Marlon Brando for two steamy nights of sex, claims new book

New York, June 25 (ANI): A new book has claimed that Hollywood biggie Marlon Brando enjoyed two nights of passionate sex with Jacqueline Kennedy.

What’s more, in “Bobby and Jackie: A Love Story” C. David Heymann has claimed that Brando wanted to bare the intimate details to the world.

In the explosive tome, which details a purported post-JFK assassination affair between Jackie and Robert F. Kennedy, Heymann has obtained passages from Brando’s account of how he hooked up with Jackie in 1964.

They were in the first draft of the Oscar winner’s 1994 memoir, “Songs My Mother Taught Me,” until an editor friend of Jackie at Random House insisted they be cut, Heymann claims, reports The New York Post.

Heymann writes, “according to Brando, [their] three-hour meal included a good deal of drinking . . . Jackie and the actor danced and drank. During their dance, Jackie, deeply attracted to Brando, ‘pressed her thighs’ suggestively into his. They danced again, then sat down and began to ‘make out,’ “

He relates: “In Brando’s words, ‘From all I’d read and heard about her, Jacqueline Kennedy seemed coquettish and sensual but not particularly sexual. If anything, I pictured her as more voyeur than player. But that wasn’t the case.

” ‘She kept waiting for me to try to get her into bed. When I failed to make a move, she took matters into her own hands and popped the magic question. ‘Would you like to spend the night?’ And I said, ‘I thought you’d never ask.’”

The draft also has the movie star comment on Jaquelines’s physicality talking about her “boyish hips” and “muscular frame.”

Brando also wrote: “I’m not sure she knew what she was doing sexually, but she did it well.”

However, according to Heymannm, the relationship lasted for a short while after which Jaqueline “Having twice consummated her relationship with Brando, Jackie showed no interest in pursuing him further.”

The book is expected to be out soon. (ANI)